Sunday, 25 April 2021

The Waste Land in the City - VIRTUAL TOUR

 'April is the cruellest month ....'

Although we can now take small groups out on walking tours, the virtual talks have proved popular and well attended throughout the last year or so, so why stop! 

Also it is wonderful to have such an international audience.

The next round of virtual tours are here:

https://www.eventbrite.co.uk/e/virtual-tour-the-waste-land-in-the-city-t-s-eliot-tickets-151622355547

Do join me in exploring this magnificent poem taking to the streets 'virtually' and taking a look at the at many of the places and buildings that T S Eliot would have known and still recognise today.

Walking tours available here:

https://www.eventbrite.co.uk/e/walking-tour-the-waste-land-in-the-city-t-s-eliot-tickets-152249192433

Currently small groups but more tickets will come available as the regulations are updated.



Tuesday, 13 October 2020

Commemorating Geoffrey Chaucer - died 25th October 1400



(c) Wiki Commons - Blake - The Canterbury Pilgrims


I have always enjoyed The Canterbury Tales. I must confess I have not read them from cover to cover but read the tales by dipping in and out over many years and during my research of Chaucer. 

Chaucer is a fascinating character, born in to the merchant class, a page at Court, his patron was John of Gaunt and became related through marriage to two Kings! Also worked as a Civil Servant when he became Controller of Customs in the City of London. Plus a full life of travel and intrigue.  He was well able to describe all the quirks and code of of behaviour from the high echelons to the low.

His poem was unusual for the time for several reasons the main ones being it was in English and the other he gave the characters a voice which was not the usual practice of the time. An element usual for the period was the moralising stories of the then known world and Chaucer used them to great effect.

Once upon a time I took people on a tour of the City of London following in Chaucer's footsteps. He was born in Vintry a Ward of the City and lived in Aldgate as Comptoller of Customs. He knew the locals and the streets very well and should, if he returned today find his way around, as the footprint has not changed that much and the Guildhall and Leadenhall are exactly where he left them! 

Now I cannot do the walk so I am offering a Virtual Tour on 25th October at 6pm.  We can actually cover more ground so to speak, and I do hope you can join me to explore this great poet, father of the English language and his home City.

https://www.eventbrite.co.uk/e/virtual-tour-geoffrey-chaucer-life-times-tickets-125122236979?fbclid=IwAR3yEUd7R3Zz84n3ZUwDzLdKOUvtiRULYW_4aAMiuaxzX__xyBnt1vYXpqY

The virtual tour will take place on Zoom so you will need to have the app to book in, Full details included in the Confirmation once booked.



Tuesday, 29 September 2020

'Faith in the City' by British Fine Art Photographer Niki Gorick - Virtual Talk & Exhibition

 I am blogging today as my dear friend Niki Gorick is giving her Virtual Talk tomorrow all about her beautiful photo book 'Faith in the City', published during Covid19 in April of this year! So I am keen to support in her every way.  I am currently her 'Tweet' master and completely overlooked my blog as a means to promote!  Late to the party but still worth doing. 



You can still book the talk for 30th September but you can still book here https://bit.ly/3bAVQJxfaith.

A review "Your talk was as full of good humour and as keenly perceptive as your photos."


The photographs will also appear as an outdoor exhibition staring 3rd October 2020 in the City of London at Paternoster Square (recent change of venue) and Aldgate Square in November. Details below.


"I found the photographs in Gorick’s book especially illuminating because of the unexpected and surprising endeavours they present. They prove how religion in the Square Mile is very much interwoven with contemporary culture and social change. The well-articulated captions accompanying the images are refreshingly free from jargon and convoluted phrasing......

......making one understand what an enlightening force religion can be in the context of a seemingly cold environment infused with wealth." Jenny Kingsley - St Brides


Hope you will be able to join us tomorrow evening and if not, find time to visit the exhibition. Outdoors and socially distanced. If you wish to buy a copy of the book they will be available at the Guildhall Art Galley as well as at Waterstones and Unicorn Publishing.

Good to be back blogging again!

MissB


 












Tuesday, 11 August 2020

COVID 19 - Guidance for Tour Guiding

In these uncertain times, people considering taking a guided tour may understandably have concerns about their health and safety. But with the UK's professionally qualified and highly trained Blue Badge, Green Badge and White Badge Tourist Guides, you will be in extremely capable hands. As part of their thorough general training, badged guides are expert in effective and sensitive group management techniques, on streets and at tourist sites, churches and museums. In addition, the Institute of Tourist Guiding, the British Guild of Tourist Guides, the Association of Professional Tourist Guides and the Driver-Guides Association have created the Covid-19 Guidance for Tourist Guides. Guides who are members of these organisations are expected to abide by this guidance during the Covid-19 crisis.

1. Guides will ensure they are familiar with the most up-to-date public health guidelines and will adhere to these for the duration of the tour. 

2. Guides will maintain government-recommended social distancing between themselves and clients at all times. On tours where the group includes different households, guides will encourage and help clients to adopt appropriate social distancing between each other too. 

3. When guiding groups from different households, guides will follow government guidance to determine the maximum possible group size. 

4. Guides will avoid shaking hands or any other physical contact with clients. 

5. Guides will apply rigorous hygiene practices, including thoroughly cleaning and waiting for hands to dry before guiding, and use a personal hand sanitiser when this is not possible.

6. If requested, guides will consider wearing a mask or visor.

7. Badged guides will know where public toilets/hand-washing facilities/hand sanitiser points are available.

8. Remote audio devices (such as Whisper, Vox and various apps) can be effective for social
distancing on guided tours. Guides will happily work with tour companies using these
systems.

9. Badged guides are experts in the tourist sites they visit with clients. Guides will ensure they
are fully aware of sites' specific Covid-19 requirements and comply with them.

10. Badged guides know the towns and cities where they lead tours intricately. Guides will be
familiar with more crowded areas and will make best efforts to negotiate them, or if
appropriate, avoid them.

11. Where appropriate, guides will liaise with coach companies and private vehicle companies
and drivers to ensure vehicles have been thoroughly sanitised.

12. Driver guides will ensure their vehicle is thoroughly cleaned inside after previous use. They
will follow licensing authority and national Covid-19 regulations for cleaning their vehicles
and maintaining air-conditioning systems. Driver guides will carry disinfecting wipes, hand
sanitisers and paper towels in their cars, and will use face masks if appropriate.

Marilyn Collis - President, Institute of Tourist Guiding 

Elizabeth Eastwood - Chair, British Guild of Tourist Guides 

Danny Parlour - Chair, Association of Professional Tourist Guides 

Angela Akehurst - Chair, Driver Guide Association

ITG 10th June 2020

Sunday, 9 August 2020

Love in The Waste Land (T S Eliot)

 

© 2020 Alighieri

One would not necessarily connect The Waste Land to a jewellery collection. However T S Eliot was always buying jewellery for his second wife, Valerie. He showered her with beautiful jewels of great taste and originality. Mostly sold after her death at a Christies Auction, one famous piece stood out was designed by T S Eliot - the canon of works charm bracelet.

’ Valerie Eliot was wearing a charm bracelet her husband had had made for her at Garrard. From it dangled a practical cat, a hidden portrait, and tiny book covers, representing each of his works.’ [Extract: SANDRA BARWICK - INDEPENDENT - Saturday 22 January 1994]

 

© T S Eliot Society of the United Kingdom

 

The catalyst for my writing about jewellery and The Waste Land is inspired by an item in the Evening Standard about jewellery designer Rosh Mahtani of Alighieri winning the Queen Elizabeth II Design Award presented at the Silver Vaults by Princess Anne last week.  Rosh took her inspiration for her previous collections from Dante (hence the label) and for Autumn Winter 2020 the ‘wasteland’ of T S Eliot is her focus.  Her desire to create jewellery relating to a modernist poem is fascinating and I feel she makes it work beautifully (for her ‘wasteland’ collection). Her imagination was captured by the reading of the Tarot Cards with the clairvoyant Madame Sosostris (Part I). One piece is named after the medium, and a necklace is called ‘Bella Donna’ referring to the “Lady of the Rocks, the lady of situations” (line 49) or as in the Rider-Waite tarot deck ‘Lady of the Cups’. Those even with basic Italian can translate this as ‘beaufiful woman’ or possibly the seductive but deadly nightshade. The card indicates renewal, but is fraught with peril.

The Hyacinth Girl is another inspiration for Alighieri – also appearing in Part I The Burial of the Dead :

‘You gave me hyacinths first a year ago;

‘They called me the hyacinth girl’. (line 36) 

After the dismal beginning, It is a fleeting burst of joy, of spring, a girl, flowers, but is it? Of course you the reader can make of it what you will and Alighieri did just that. In fact it is the story of Hyacinthus greatly loved by Apollo and Zephyrus, who returned the former’s love. Apollo in his jealousy killed Hyacinthus! Apollo so regretted this that he changed the young man’s blood into a flower which bore his name and placed his body among the constellations. Of course the annotated text of The Waste Land can identify other potential meanings, but this will do in this case. 

There are ‘fishmen’ aplenty, and a fisher king in the poem, but no fisher woman.  Also Luna, I will assume, represents ‘The Moon’ Tarot card ‘which I am forbidden to see, I do not find …’ in the poem is definitely part of the Ryder Waite set. I have joined the Alighieri Lion Club and will one day own a piece.

My interest was piqued about the connections between poetry and jewellery and of course the internet led me to some wonderful pieces.  Victoria Contreras uses texts from several literary greats, and this piece with the first four lines of The Waste Land is so bold, almost like a breastplate! It is on my list of ‘must haves’!

There is a lot of exciting jewellery out there inspired by authors, poets and famous quotes, but for me The Waste Land is truly honoured by these works. The final piece celebrates J Alfred Prufrock, and there is no need to explain it. See you on World Poetry Day to hear parts of The Waste Land around and about the jewel that is the City of London.  

VIRTUAL WALKS - August 2020

VIRTUAL WALKS - August 2020

Hello

It has been a long time since I last used my blog - time has flown and nothing has stood still!

Covid19 has impacted on all our lives especially those who walk the streets as Guides talking and sharing the history of their favourite place or City.

I have been busy during Lockdown with all manner of things which I hope to share with you at some point but for now I am offering two virtual tours through my co-operative guiding group Footprints of London.

The first of my virtual tours is a particular favourite, discovering the stone carved Text in the City of London and its relevance to place and time. It is presented on 12th August at 2pm and hope you can make it as it will be presented on Zoom. You can book on the link below.

https://www.eventbrite.co.uk/e/virtual-tour-text-in-the-city-tickets-114598579436

My next offering is on 21st August at 2pm, a Virtual Tour of 'The Waste Land' and the City, the famous T S Eliot poem in relation to the City of London where he worked. 

https://www.eventbrite.co.uk/e/virtual-tour-the-waste-land-in-the-city-t-s-eliot-tickets-115204297154


Zoom is not difficult to use but you will need to download the App prior to the talk so you can use the login and password details.

Hope to see you soon.

Sunday, 4 June 2017

Guildhall Art Gallery - 'Echoes Across the Century' - until 16 July 2017


I have not been to the Guildhall Art Gallery for a long time, on entering it was like meeting an old friend, who gave me a warm welcome. The new exhibition, which opened March, so was somewhat tardy in getting there, is a sight to behold. A subject which generates much emotion, it has been beautifully conceived, and at every turn you are enveloped in the pathos of the subject, but also delighted by the attention to minute detail. 

A cabinet of curiosities all with emotional relevance to the loss of those brave young men. The detail and creativity of those involved is to be lauded, the time and patience to create individual pieces which come together as a cohesive, delightful, exciting and yet, a sympathetic and respectful whole. You will discover it becomes a personal journey, through the private letters and belongings of those who did not come home. Do not forget to leave your message on the tree.




Echoes Across the Century is a new, free exhibition at City of London Corporation’s Guildhall Art Gallery commemorating the 100th anniversary of WW1 (1914-18 to 2014-18), funded by the National Lottery.

Created by professional artist and set designer Jane Churchill, this exhibition - her London debut- sensitively brings to life the human impact of the First World War through heartfelt personal stories and highly emotive, beautiful pieces of artwork. Churchill has created an immersive ‘behind the scenes’ experience that provides a fascinating glimpse into what was a very difficult and harsh reality for many. Interwoven throughout the exhibition is the artwork of over 200 students aged between six and seventeen. 



...thousands of men pinned forever to the map of France like months ....

Echoes Across The Century is a collaboration between Livery Companies and schools delivered for Livery Schools Link, with Guildhall Art Gallery and supported by National Lottery players through the Heritage Lottery Fund (HLF).
 
Housed inside Churchill’s set design that transports us to a First World War trench, the walk-through exhibition explores the stories of soldiers, ordinary people supporting the war effort ‘behind the scenes’ and the grief-stricken families, friends and lovers that were left behind. Churchill was inspired by the touching story of her great great uncle, Second Lieutenant William Goss Hicks, and the fiancée he left behind in Kent after his death in France nearly 100 years ago on 3rd July 1917. 




The exhibition features over 600 objects through which real and imagined tales are told through heritage artefacts and reactive ‘response’ artworks.
 
The project benefited from a grant of £99,800 from the Heritage Lottery Fund and is the gallery’s first exhibition to operate as a large-scale installation.  



 
Degrees of Separation
Upon entering the exhibition, visitors are immediately immersed into Jane Churchill’s own compelling installation Degrees of Separation which explores the love story between Churchill’s great great uncle William Goss Hicks and his fiancée Jessie Ellman. Highlights include Hicks’ personal effects as well as stunning moth assemblages, sculpture, collections of cased objects, sepia photographs, paper boots and an original saddle that survived the Battle of the Somme. 


 
A trench of young talent
Under the tuition of Jane Churchill and producer Alison Truphet, students from 14 London schools worked with the City of London’s livery companies to create touching emotional responses associated with not only the trench life of soldiers, but all those supporting the war and who were affected by it. Key pieces include recruitment posters, paintings of ambulances and spectacles, playing cards, profound diary extracts, a sky full of war-time planes and a stunning peace memorial. Illustrative artworks by Churchill are interwoven amongst the students’ work, telling personal stories of love and loss. 



 
Jane Churchill, Curator of Echoes Across the Century said: 
“This has been a very personal experience for me as I have always had a connection to WW1 and my inspiration for the project came from the terribly sad story of my own great great uncle and the affect his death had on those he left behind. Working with such wonderful and talented students has been deeply rewarding as they all embraced the project and understood how art could be used to express both history and emotion. They developed independent thinking and confidence as they worked with me to explore different skills and techniques to bring these stories to life.” 

Saddle on loan from the Saddlers Company- survived the Battle of the Somme

Visitors are encouraged to share their thoughts about the exhibition by writing on cards provided and hanging them by the entrance.  Free workshops will allow visitors to create their own artworks in response to the exhibition on 14thJune. Free artist talk led by Jane Churchill will also take place at the gallery on 7th July between 1pm and 2pm. 
 
The City of London Corporation, which owns and manages Guildhall Art Gallery, invests £80m every year in heritage and cultural activities of all kinds. It is the UK’s largest funder of culture after the government, the BBC, and the Heritage Lottery Fund.
 
For more information or to book a place on a workshop, visit www.cityoflondon.gov.uk/echoes

 Opening times: 10am - 5pm (Monday – Saturday), 12pm - 4pm (Sunday)

About Jane Churchill

She is a maker of imaginary worlds and often accesses the creativity of others. An intuitive seer of what is needed in the creative process within her own work and those she works with.
Her background includes theatre set design and creation, installations and exhibitions.
She has been resident artist and consultant with organisations, community groups and schools for over ten years and curated a gallery in Kent for six years.
Her work has seen her develop and deliver hundreds of projects in engagement through the arts. She has worked with museums to illuminate heritage.

About Alison Truphet

Involved in education, since 1996, her role evolved from leading a languages department in a secondary school to becoming an educational projects consultant in 2007.
As administrator for Livery Schools Link from 2009 to 2016, she increased membership, raised its profile and developed a programme of annual events for students and teachers including an annual education conference and careers events.
She is passionate about developing students’ sense of adventure and extending their horizons beyond the classroom.

She has 10 years’ experience devising and leading educational projects in expressive arts, international exchanges and travel, community engagement, careers awareness, design and history.


Special thanks to Rosemedia Group - for detailed copy of the exhibition.

Tuesday, 25 April 2017

Reinventing Kings Cross - 'The Knowledge Quarter'

It is good to be drawn out of your comfort zone. I was invited to be part of the Footprints of London team to walk students from Central America around the Kings Cross development site as an example of regeneration.

I had connections with this massive development site since 1980's when the property developers I worked for created the London Regeneration Consortium and architect Norman Foster created the first of many master plans for the site. The big bang came and went and the project bit the dust. Had it been built, it would of course already be out of date! So every cloud has a silver lining and with new building techniques and innovations the site is said to be  'future proof', it can adapt to growth and easily add future service requirements without much disruption to the existing.

Kings Cross area in 1950s

Where do we start? Kings cross has a 'big' history if a rather shady recent past. The coming of the railways, an intrinsic part of the industrial Revolution, made this area north of London ideal for private companies to build termini and depots for the goods arriving to feed and power London and onward to supply the Empire. The pastures and small villages on what was the outskirts of London, were soon gobbled up by iron and steam.

The first station completed was Lewis Cubitt's Kings Cross in 1852 for the Great Northern Railway Company. A temporary station was built at the top end of the site to assist with crowds arriving for the Great Exhibition of 1851, this is now part of Waitrose and an Ice Cream Parlour. 




St Pancras Station built by George Gilbert Scott for the Midland Railway Company including the Gothic grand hotel built in 1868. A further hotel for the Great Northern Railways was added to cater for the many Victorians travelling in and out of London, journeys were long but getting through the metropolis was no easy task either, so comfortable accommodation was paramount.

By C20th the stations were still in use but the depots and goods yard were underused and the site had become an industrial wasteland. You did not linger in the area, taxi, tube or bus whisked you away, from an area rife with drugs and prostitution. So what changed?

In 1996 the Eurostar arrived at St Pancras and became the catalyst for change. The British Library moved from Bloomsbury next door to St Pancras Hotel (by now also abandoned). Something had to happen to breathe new life into the area.

The site today - under construction

2001 Argent were announced as the developer for the 67 acre site. They in turn formed a consortium with London & Continental Railways and DHL to form Kings Cross Central Partnership. The site was to become a business hub for the C21st and was dubbed 'The Knowledge Quarter'. This was possibly due to the arrival of the British Library in 1967 and the proximity of the Wellcome Institute as well as UCL. 

So the plan included 50 new buildings, 2000 new homes, 20 new streets, 10 new public squares and one new London postcode N1C, a place to live, work and study.


German Gymnasium

The clearing of the site of much of the industrial infrastructure was paramount to provide sufficient tracts of land to build new offices and accommodation. However much of the site required decontamination after years of coal fired fuel and gas being manufactured in the area. Therefore only suitable for business rather than residence in the heart of the development. 

Also Grade II listed buildings pepper the site. The German Gymnasium a fine example of what migrating populations gave to the community in the past. Built by Germans in 1864 it was the first purpose built gym in England! It was the birthplace of the Olympics, then called the British National Olympics, the forerunner of the international Olympiad we enjoy today. Also encouraged and invited women to exercise in the hall.

Beautifully preserved, although truncated to the west, to allow for Eurostar, that end it has been recreated exactly as it was before and now houses a D&D Group restaurant serving, schnitzel, bratwurst and sauerkraut and other central European dishes. A perfect place for a meal at departure or upon arrival. Essential to have support businesses to the station and the offices. The gymnasium had closed down by 1908 and the society moved out of London. The fine oak tree in the piazza was given by Germany as a message of goodwill and celebration.

Pancras Square & Kings Boulevard


Beautifully landscaped square covers the site where the gas holders of the Pancras Gas Company. The current HQ of Google was a great favourite with the student and confirms the intention to create an area of knowledge, who better as an 'anchor' tenant than Google! They are planning a bigger HQ, supposedly as long as the Shard is high, with only 10 floors, (height limitations, to protect the views of St Paul's). This new building will face King's Boulevard. Do notice the new post code above.

The Cor-Ten steel building in the top left is by Eric Parry.

Do go and visit the Viewing Platform - at the top of the Boulevard. This long main street is usually full of pop up food stalls during lunch times, the platform is an ideal spot to view the size and layout of this new quarter, with great visuals to point out famous and infamous buildings of the skyline.


The Granary

Another Grade II listed building on the site which proclaims the integrity and engineering skill of the Victorians, it is still standing strong. A Lewis Cubitt building and completed at the same time as the King Cross Station. An imaginative re-purposing of a major existing structure by architects Stanton Williams. It houses the University of Arts London, and is attached to the new Central St Martins. The architects have kept the grain shute and created an atrium, allowing light into what was the transit area. Ceiling heights are too low for offices so the upper levels have become the library for the University. 


This was once the heart of the multi-modal transport system of Kings Cross, where the supply and distribution of food and power for London was controlled by rail, water and horsepower (the real thing). The building cleverly designed to take rail trucks, barges and haulage carts, all working as one big machine to distribute and unload goods arriving and departing. 

Some of the industrial architecture rail tracks and turning tables have been integrated into the design. Where the canal basin once was is now represented with a fountain display that is reactive to light, on hot sunny days it goes higher on grey days it is lower but lulls us with its watery rhythm. Also there is apparently an app you can download whereby you can create a game with the water spouts called 'Snake'!



West Handy Side Canopy - heavily restored but re-created by the same company who installed it in 1888 to cover over the unloading of fish and perishables. Waitrose has been inserted into one part but the rest is left as a huge events or entertainment space. Workouts happen here, as well as London Fashion Week using it has a never ending cat walk. The studios of Central St Martins open on to it and you can see the young creatives at work. 



The Illustration Gallery, an idea made reality by Quentin Blake is also in a Victorian Building nearby, which also houses the HQ of the Art Fund.

Residential with Camden Council Housing and Private combined
Most of the green spaces, new squares and landscaping is by Dan Pearson.


Waitrose  in the  'temporary station' of 1852 and the West Handyside Canopy

Kings Place, the Knowledge Quarter has many business serviced by excellent restaurants and outlets, and it is not surprising there is also culture to hand. However Kings Place (Architect: Dixon Jones) was there before all the rest. A music charity had the foresight to build a concert hall (the first in London for 30 years) and create culture hub in 2008. It is also the HQ of The Guardian and includes an art gallery in part of a gas holder. So media, art, music and entertainment are also well covered at Kings Cross.

Kings Place

The Regents Canal flows through the site and of course the canal was there before the railways, although somewhat subsumed by them.  It now offers a delightful walk along its banks, plus of course barges are home to some 3,300 residents. Camley Street Nature Park are also nearby, in situ since 1984, reclaiming an abandoned coal drop, which has become a verdant urban oasis.

From the bridge over the canal you can also see the gas holders that had to be moved but could not be disposed of as also listed. The majority were dismantled and sent away for refurbishment and then returned to the north west of the site.  One is now a park and the others are made into high-end apartments. 



The last but one stop is the Francis Crick Institute - a hi-tech bio medical research centre. For the first time connecting researchers, different disciplines, academic institutions and healthcare organisations and businesses under one incredible roof.  The flagship for UK biomedical science. It is a pity I did not take a photograph of it nor the sculpture in front of it, but you will enjoy it all the more when you seek it out. An inspirational addition to the Knowledge Centre. A centre in memory of Alan Turing is coming next.



The final stop is the British Library, moved to the site in 1997, around the same time as the Eurostar. One of the catalysts for change in the area, a perfect location with the Wellcome Trust and UCL nearby. Holds 14 million books, collects all books published in the English language, many rare manuscripts. Also has a digital library that keeps a copy of UK websites, plus a business IP Centre, which can used for free. Plus much more. 

British Library

I hope this has aroused your interest and you will want to explore the Quarter yourself or take a walk with us. 

I would like to acknowledge and thank the original author of this walk Rob Smith for sharing this with us. Please check out  Footprints of London for Rob's regular walks. Miss B will only be doing this walk on special request.